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2024. 3. 28


[¹Ì¼úÀϹÝ] Art Market Outlook 2021 -2021³â ½ÃÀå Àü¸Á
ÀÌ ¸§ IACO (182.¢½.214.75)
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Outlook in Art

Market 2021 by

experts

2021 ¹Ì¼ú½ÃÀå Àü¸Á

'One of the most shocking, tumultuous yearson record': art market figures reflect on 2020—and guess at what 2021 might hold

The pandemic has ripped apart the industry as we know it this year but it has sparked innovation and conversation like never before

Marc Spiegler, global director, Art Basel

On 2021: ¡°Based upon virtually all current predictions, we can expect a vaccine by the middle of next year and we will start to see a return of international travel. It will not be the art world as we knew it from 2019 right away, but we know that people are longing to be able to see art in person again. At the same time, digitalisation will not go away.¡±

¾ÆÆ® ¹ÙÁ©ÀÇ ¸¶Å© ½ºÇDZ۷¯ ±Û·Î¹ú µð·ºÅÍ

2021³â: "ÇöÀç °ÅÀÇ ¸ðµç ¿¹Ãø¿¡ ±âÃÊÇØ, ³»³â Á߹ݱîÁö´Â ¹é½ÅÀ» ¸ÂÀ» °ÍÀ¸·Î ¿¹»óÇÒ ¼ö ÀÖ°í, ¿ì¸®´Â ±¹Á¦ ¿©ÇàÀÇ ±ÍȯÀ» º¼ ¼ö ÀÖÀ» °ÍÀÔ´Ï´Ù. ´çÀå 2019³âºÎÅÍ ¾Ë¾Ò´ø ¹Ì¼ú¼¼°è°¡ µÇÁö´Â ¾Ê°ÚÁö¸¸ ´Ù½Ã Çѹø Á÷Á¢ ¹Ì¼úÀ» º¸°í ½Í¾îÇÑ´Ù´Â °ÍÀº Àß ¾Ë°í ÀÖ´Ù. µ¿½Ã¿¡ µðÁöÅÐÈ­´Â »ç¶óÁöÁö ¾ÊÀ» °ÍÀÔ´Ï´Ù."

Alex Logsdail, executive director of Lisson Gallery

What will be 2020¡¯s legacy? "The wider and overdue embracing of Bipoc, female and other underrepresented artists now being fully recognised for their contribution to art history. Other things are more murky and amorphous, especially when it comes to the questions around art¡¯s place in the social and political dialogue and who in positions of power use their influence and how. The market is a strange force that is usually not the best barometer of the health of the art world. Without taking into account the wider ecosystem that allows the market to exist you cannot have a meaningful conversation about a sustainable market. Philanthropy and governmental support of arts education is as critical to the long term health of the market as the short term supply of work."

Lisson GalleryÀÇ Alex Logsdail Àü¹«ÀÌ»ç

2020³âÀÇ À¯»êÀº ¹«¾ùÀϱî? "ºñÆ÷Å©, ¿©¼º, ±×¸®°í ´Ù¸¥ Àú¸í ¿¹¼ú°¡µéÀÌ Æø³Ð°í ¿À·¡ Àü¿¡ Ç°¿¡ ¾È°å´ø °ÍµéÀÌ ÀÌÁ¦ ¿¹¼ú»ç¿¡ ´ëÇÑ ±×µéÀÇ °øÇåÀ¸·Î ¿ÏÀüÈ÷ ÀÎÁ¤¹Þ°í ÀÖ½À´Ï´Ù. ´Ù¸¥ °ÍµéÀº ´õ ¸ðÈ£Çϸç, ƯÈ÷ »çȸÀû, Á¤Ä¡Àû ´ëÈ­¿¡¼­ ¿¹¼úÀÌ Â÷ÁöÇÏ´Â À§Ä¡¿Í ±Ç·Â À§Ä¡¿¡ ÀÖ´Â »ç¶÷µéÀÌ ±×µéÀÇ ¿µÇâ·Â°ú ¹æ¹ýÀ» »ç¿ëÇÏ´Â °Í¿¡ °üÇÑ Áú¹®µé¿¡ °üÇؼ­´Â ´õ¿í ±×·¸½À´Ï´Ù. ½ÃÀåÀº º¸Åë ¹Ì¼ú°è °Ç°­ÀÇ °¡Àå ÁÁÀº ôµµ°¡ ¾Æ´Ñ ¹¦ÇÑ ÈûÀÌ´Ù. ½ÃÀåÀÌ Á¸ÀçÇϵµ·Ï ÇÏ´Â ´õ ³ÐÀº »ýÅ°踦 °í·ÁÇÏÁö ¾Ê°í´Â Áö¼Ó °¡´ÉÇÑ ½ÃÀå¿¡ ´ëÇØ ÀÇ¹Ì ÀÖ´Â ´ëÈ­¸¦ ³ª´­ ¼ö ¾ø½À´Ï´Ù. ÀÚ¼±È°µ¿°ú ¿¹¼ú±³À°¿¡ ´ëÇÑ Á¤ºÎÀÇ Áö¿øÀº ´Ü±âÀûÀÎ ÀÏ °ø±Þ¸¸Å­À̳ª ½ÃÀåÀÇ Àå±âÀûÀÎ °Ç°­¿¡ Áß¿äÇÏ´Ù."

Victoria Siddall, board director of Frieze

"This has been an incredibly challenging year, in so many ways, but there have been some real positives that have shone through, even in the year¡¯s more gloomy moments. For example, the acknowledgement that we are a community and that it is collaboration that will get us all through this period in good shape. The openness with which people embraced new tech platforms, and quickly busted the myths about selling art online, was another highlight. Ultimately, my feeling at the end of this year is that we are all very aware of how much we miss seeing art and each other in person."

ÇÁ¸®Á¦ÀÇ ÀÌ»ç ºòÅ丮¾Æ ½Ãµå´Þ

"¿ÃÇØ´Â ¸¹Àº ¸é¿¡¼­ ¹ÏÀ» ¼ö ¾øÀ» Á¤µµ·Î Èûµç ÇÑ ÇØ¿´Áö¸¸, ¿ÃÇØÀÇ ¿ì¿ïÇÑ ¼ø°£µé¿¡¼­µµ ºûÀ» ¹ßÇÑ ¸î °¡Áö ±àÁ¤ÀûÀÎ ÀϵéÀÌ ÀÖ¾ú½À´Ï´Ù. ¿¹¸¦ µé¾î, ¿ì¸®°¡ °øµ¿Ã¼¶ó´Â °Í°ú ±×°ÍÀÌ ¿ì¸®¸¦ ÀÌ ±â°£ ³»³» ÁÁÀº »óÅ·ΠÀ̲ø¾î ÁÙ Çù·ÂÀ̶ó´Â °ÍÀ» ÀÎÁ¤ÇÏ´Â °ÍÀÔ´Ï´Ù. »ç¶÷µéÀÌ »õ·Î¿î ±â¼ú Ç÷§ÆûÀ» ¹Þ¾ÆµéÀÌ°í, ¿Â¶óÀÎ ¹Ì¼úÇ° ÆǸſ¡ ´ëÇÑ ½ÅÈ­¸¦ À绡¸® ±úºÎ¼ö´Â °³¹æ¼ºÀº ¶Ç ´Ù¸¥ ÇÏÀ̶óÀÌÆ®¿´´Ù. ±Ã±ØÀûÀ¸·Î, ¿ÃÇØ ¸», Á¦ ´À³¦Àº ¿ì¸®°¡ ¹Ì¼ú°ú ¼­·Î¸¦ Á÷Á¢ º¸´Â °ÍÀ» ¾ó¸¶³ª ±×¸®¿öÇÏ´ÂÁö ¾Ë°í ÀÖ´Ù´Â °ÍÀÔ´Ï´Ù."

Rakeb Sile, Addis Fine Art, Addis Abbaba and London

"This period has encouraged a general openness between business owners and galleries across hierarchies. This began with crisis talks and has now evolved into collaborations, as galleries in particular are finding innovative ways of working with one another¡¦The art world seems to operate less as islands now."

·¹ÀÌÅ©ºê ½Ç·¹, ¾Öµð½º ÆÄÀÎ ¾ÆÆ®, ¾Öµð½º ¾Æ¹Ù¹Ù, ·±´ø

"ÀÌ ½Ã±â´Â ±â¾÷ ¼ÒÀ¯ÀÚ¿Í °¶·¯¸® »çÀÌ¿¡ °èÃþ Àü¹Ý¿¡ °ÉÄ£ ÀϹÝÀûÀÎ °³¹æÀ» Àå·ÁÇß½À´Ï´Ù. ƯÈ÷ °¶·¯¸®°¡ ¼­·Î Çù·ÂÇÒ ¼ö ÀÖ´Â Çõ½ÅÀûÀÎ ¹æ¹ýÀ» ¸ð»öÇÏ°í Àֱ⠶§¹®¿¡, ÀÌ´Â À§±âÀÇ ´ëÈ­¿¡¼­ ½ÃÀÛÇÏ¿© ÀÌÁ¦´Â Çù¾÷À¸·Î ¹ßÀüÇß½À´Ï´Ù. ¹Ì¼ú°è´Â ÀÌÁ¦ ¼¶Ã³·³ ¿î¿µÀÌ ´ú µÇ´Â °Í °°´Ù°í ¸»Çß´Ù.

"We¡¯ve noticed that the travel restrictions have caused an increase in local collectors both in the UK and Ethiopia. So I predict a collector trend of looking locally before buying internationally. The pandemic has brought about progressive discussions about the art world's environmental impact so I don¡¯t think there will be as much of a travelling caravan next year as people are more conscious of their carbon footprint. Therefore, a consolidation of art fairs is inevitable."

¿ì¸®´Â ¿©Çà Á¦ÇÑÀ¸·Î ÀÎÇØ ¿µ±¹°ú ¿¡Æ¼¿ÀÇǾƿ¡¼­ ÇöÁö ¼öÁý°¡µéÀÌ Áõ°¡Çß´Ù´Â °ÍÀ» ¾Ë¾Æ³Â½À´Ï´Ù. ±×·¡¼­ Àú´Â ±¹Á¦ÀûÀ¸·Î ¹°°ÇÀ» »ç±â Àü¿¡ ÇöÁö¿¡¼­ º¸´Â ¼öÁý°¡µéÀÇ Ãß¼¼¸¦ ¿¹ÃøÇÕ´Ï´Ù. ´ëÀ¯ÇິÀº ¿¹¼ú°èÀÇ È¯°æ ¿µÇâ¿¡ ´ëÇÑ Áøº¸ÀûÀÎ ³íÀǸ¦ ºÒ·¯¿Ô±â ¶§¹®¿¡ ³»³â¿¡´Â »ç¶÷µéÀÌ Åº¼Ò ¹ßÀÚ±¹À» ´õ ÀǽÄÇÏ´Â °Í¸¸Å­ ¸¹Àº ¿©Çà¿ë ij·¯¹êÀÌ ¾øÀ» °ÍÀ̶ó°í »ý°¢ÇÕ´Ï´Ù. µû¶ó¼­ ¾ÆÆ®Æä¾îÀÇ ÅëÇÕÀº ºÒ°¡ÇÇÇÏ´Ù°í ¸»Çß´Ù.

Stuart Shave, Modern Art gallery, London

¡°Our 2020 turnover is reduced, but what has proved really essential reading for me in this period is looking at our gross profit margins, and seeing that throughout the lockdown and beyond these have significantly expanded, in some months even quadrupled from the previous year¡¦This is not just about how the gallery is surviving in this period, but rather, the financial consequences of operating in the international art world PRE-pandemic. This raises interesting questions about the future and what aspects of the business we will change to reflect this experience. What remains essential to me, is making exhibitions in my own gallery, on my own terms.¡±

·±´ø Çö´ë ¹Ì¼ú°üÀÇ ½ºÆ©¾îÆ® ½¦À̺ê

"2020³â ¸ÅÃâ¾×Àº °¨¼ÒÇßÁö¸¸, ÀÌ ±â°£ µ¿¾È Á¦°Ô °¡Àå Áß¿äÇÑ °ÍÀº ÃÑ ¼öÀÍ·üÀ» »ìÆ캻 °á°ú, Àüü ¸ÅÃâ°ú ÀÌ·¯ÇÑ ¸ÅÃâ¾×ÀÌ Àü³âº¸´Ù 4¹è ´õ ´Ã¾î³­ °ÍÀ» ¾Ë°Ô µÇ¾ú½À´Ï´Ù.ÀÌ°ÍÀº ÀÌ ½Ã±â¿¡ È­¶ûµéÀÌ ¾î¶»°Ô »ì¾Æ³²´Â°¡¿¡ ´ëÇÑ °ÍÀÌ ¾Æ´Ï¶ó, ±¹Á¦ÀûÀÎ ¿¹¼ú°è ÇÁ¸®-ÆÒ´õ¹Í¿¡¼­ ¿î¿µµÇ¸é¼­ ¹ß»ýÇÏ´Â ÀçÁ¤Àû °á°ú¿¡ °üÇÑ °ÍÀÌ´Ù. ÀÌ¿¡ µû¶ó ÇâÈÄ ¹× ÀÌ·¯ÇÑ °æÇèÀ» ¹Ý¿µÇϱâ À§ÇØ ¾î¶² ºñÁî´Ï½º Ãø¸éÀ» º¯È­½Ãų °ÍÀÎÁö¿¡ ´ëÇÑ Èï¹Ì·Î¿î Áú¹®ÀÌ Á¦±âµË´Ï´Ù

Kenny Schachter, writer, artist and art dealer, New York

"The art world woke to greater racial and gender equality and the advent of technology—better late than never on both fronts. I have been in ten industries professionally, and by far the art world is the most conservative and backwards looking."

´º¿åÀÇ ÀÛ°¡, ¿¹¼ú°¡, ¹Ì¼ú»óÀÎ ÄÉ´Ï ¼¨Ã³ÅÍ

"¿¹¼ú°è´Â ÀÎÁ¾°ú ¼ºº°ÀÇ Æòµî°ú ±â¼úÀÇ µîÀå°ú µÎ °¡Áö ¸é¿¡¼­ ÀüÇô ±×·¸Áö ¾ÊÀº °Í º¸´Ù ´õ ´Ê°Ô ±ú¾î³µ½À´Ï´Ù. Àú´Â Àü¹®ÀûÀ¸·Î 10°³ ¾÷Á¾¿¡ Á¾»çÇØ ¿ÔÀ¸¸ç, ¿¹¼ú°è´Â ´Ü¿¬ÄÚ °¡Àå º¸¼öÀûÀÌ°í ÈÄÁøÀû ÀÔ´Ï´Ù

"After everyone had grossly binged on all the content Netflix has on offer, they started to voraciously watch¡¦online auctions—to the tune of a million for a Sotheby¡¯s and Christie¡¯s evening sale. I find this the most shocking part of one of the most shocking, tumultuous years on record. Look for more of the same for 2021 as art fairs and live auctions will remain on ice until Covid is under control. Which, I am afraid, doesn¡¯t look like it will happen anytime soon."

"¸ðµç »ç¶÷µéÀÌ Netflix°¡ Á¦°øÇÏ´Â ¸ðµç ÄÁÅÙÃ÷¿¡ ¿­±¤ÇÏ°í ³­ ÈÄ, ±×µéÀº ¿Â¶óÀÎ °æ¸Å¿¡¼­ ¼Ò´õºñ¿Í Å©¸®½ºÆ¼ Àú³á ¼¼ÀÏÀ» 100¸¸ ´Þ·¯¿¡ ´ÞÇÏ´Â ¾öû³­ °ü½ÉÀ» ²ø±â ½ÃÀÛÇß½À´Ï´Ù. ³ª´Â ÀÌ°ÍÀÌ ±â·Ï»ó °¡Àå Ãæ°ÝÀûÀÌ°í ¶°µé½âÇÑÇØ Áß Çϳª¿¡¼­ °¡Àå Ãæ°ÝÀûÀÎ ºÎºÐÀ̶ó°í »ý°¢ÇÑ´Ù. ¹Ì¼ú ¾ÆÆ®Æä¾î¿Í ¶óÀÌºê °æ¸Å´Â Äڷκñµå°¡ ÅëÁ¦µÉ ¶§±îÁö ºùÆÇ À§¿¡ ³²¾Æ Àֱ⠶§¹®¿¡ 2021³â¿¡µµ ÀÌ¿Í °°Àº °ÍÀ» ´õ ã¾Æº¸¼¼¿ä. À¯°¨½º·´Áö¸¸, ÀÌ·± ÀÏÀÌ °ð ÀϾ °Í °°Áö´Â ¾Ê½À´Ï´Ù."

Nicholas Maclean, Ekyn Maclean, London and New York

On 2021: "Will the pandemic continue well in to 2021? What effect will Brexit have on the London art market? Will division in the US affect the confidence of collectors across the globe? Personally I feel optimistic about the art market worldwide in 2021 as art has always been a safe house in uncertain times. New York will continue to be the centre with Hong Kong still a few steps behind, and I don¡¯t believe that London will lose its European crown in spite of leaving the EU. The city remains a draw for international investors and will continue to have an edge over Paris."

Nicholas Maclean, Ekyn Maclean, ·±´ø ¹× ´º¿å

2021³â: "´ëÀ¯ÇàÀº 2021³â±îÁö °è¼ÓµÉ±î¿ä? ºê·º½ÃÆ®°¡ ·±´ø ¿¹¼ú ½ÃÀå¿¡ ¾î¶² ¿µÇâÀ» ¹ÌÄ¥ °ÍÀΰ¡? ¹Ì±¹ÀÇ ºÐ¿­ÀÌ Àü ¼¼°è ¼öÁý°¡µéÀÇ ½Å·Ú¿¡ ¿µÇâÀ» ¹ÌÄ¥±î¿ä? °³ÀÎÀûÀ¸·Î ³ª´Â ¹Ì¼úÀÌ ºÒÈ®½ÇÇÑ ½Ã±â¿¡ Ç×»ó ¾ÈÀüÇÑ Çdz­Ã³°¡ µÇ¾î¿Ô±â ¶§¹®¿¡ Àü ¼¼°è ¹Ì¼ú½ÃÀåÀÌ ³«°üÀûÀ̶ó°í ´À³¤´Ù. È«ÄáÀÌ ¾ÆÁ÷ ¸î °ÉÀ½ µÚóÁø °¡¿îµ¥ ´º¿åÀº °è¼Ó Áß½ÉÁö°¡ µÉ °ÍÀÌ°í, ³ª´Â ·±´øÀÌ À¯·´¿¬ÇÕÀ» ¶°³ªµµ À¯·´ ¿Õ°üÀ» ÀÒ°Ô µÉ °ÍÀ̶ó°í »ý°¢ÇÏÁö ¾Ê´Â´Ù. ÀÌ µµ½Ã´Â ¿©ÀüÈ÷ ±¹Á¦ ÅõÀÚÀÚµéÀÇ °ü½ÉÀ» ²ø¸ç Æĸ®º¸´Ù ¿ìÀ§¸¦ Á¡ÇÒ °ÍÀÔ´Ï´Ù.

Emily Tsingou, art advisor, London

"The lasting legacy of 2020 will be that reliance on a purely digital format is not the solution for the future of the art market...Those who are accumulating art, rather than collecting it, are out in 2021. Connoisseurship and selectivity are back, and collectors with deep understanding and love of art are in a strong position."

¿¡¹Ð¸® Ī±¸, ·±´øÀÇ ¹Ì¼ú °í¹®

"2020³âÀÇ Áö¼ÓÀûÀÎ À¯»êÀº ¼ø¼öÇÏ°Ô µðÁöÅÐ Çü½Ä¿¡ ÀÇÁ¸ÇÏ´Â °ÍÀÌ ¿¹¼ú ½ÃÀåÀÇ ¹Ì·¡¸¦ À§ÇÑ ÇØ°áÃ¥ÀÌ ¾Æ´Ï¶ó´Â °ÍÀÔ´Ï´Ù.¿¹¼úÀ» ¼öÁýÇϱ⠺¸´Ù´Â ÃàÀûÇÏ´Â »ç¶÷µéÀº 2021³â¿¡ ³ª¿É´Ï´Ù. °¨¼º°ú ¼±ÅüºÀÌ ´Ù½Ã µ¹¾Æ¿Ô°í, ¿¹¼ú¿¡ ´ëÇÑ ±íÀº ÀÌÇØ¿Í »ç¶ûÀ» °¡Áø ¼öÁý°¡µéÀÌ °­ÇÑ À§Ä¡¿¡ ÀÖ´Ù

Guillaume Cerutti, chief executive of Christie's

"History shows the art market has a natural resilience so I am confident 2021 will be better than 2020. But 2021 will be a missed opportunity if the art market as a whole doesn¡¯t rethink its priorities and image to avoid being seen as an opaque market, reserved to an elite audience, and lagging behind in terms of equity and diversity. Key priorities for 2021 should therefore be to continue to expand our client base, especially through innovation, but also more transparency and more diversity."

Å©¸®½ºÆ¼ °æ¸ÅÀÇ ÃÖ°í °æ¿µÀÚÀÎ ±â¿è ÄÉ·çƼ

"¿ª»ç¿¡¼­ º¼ ¶§ ¹Ì¼ú ½ÃÀåÀº ÀÚ¿¬½º·¯¿î ȸº¹·ÂÀ» °¡Áö°í Àֱ⠶§¹®¿¡ Àú´Â 2021³âÀÌ 2020³âº¸´Ù ´õ ³ª¾ÆÁú °ÍÀ̶ó°í È®½ÅÇÕ´Ï´Ù. ÇÏÁö¸¸ ¹Ì¼ú ½ÃÀåÀÌ Àü¹ÝÀûÀ¸·Î ±×°ÍÀÇ ¿ì¼± ¼øÀ§¿Í À̹ÌÁö¸¦ Àç°íÇÏÁö ¾Ê´Â´Ù¸é, ¿¤¸®Æ® °ü°´µé¿¡°Ô¸¸ ÇÑÁ¤µÇ°í, ÇüÆò¼º°ú ´Ù¾ç¼º ¸é¿¡¼­ µÚóÁö´Â ºÒÅõ¸íÇÑ ½ÃÀåÀ¸·Î ºñÃÄÁöÁö ¾Ê±â À§ÇØ ³õÄ¥ ¼ö ÀÖ´Â ±âȸ°¡ µÉ °ÍÀÌ´Ù. µû¶ó¼­ 2021³âÀÇ ÁÖ¿ä ¿ì¼± ¼øÀ§´Â ƯÈ÷ Çõ½ÅÀ» ÅëÇØ °í°´ ±â¹ÝÀ» °è¼Ó È®ÀåÇÏ´Â °ÍÀ̾î¾ß Çϸç, ¶ÇÇÑ Åõ¸í¼º°ú ´Ù¾ç¼ºµµ Áõ´ëÇØ¾ß ÇÕ´Ï´Ù."

Charles F. Stewart, chief executive of Sotheby's

"2020 was the year of the reinvention of the digital experience. For me, 2021 will be the year of the reinvention of the physical experience. We will see a real premium placed on out-of-the-ordinary physical experiences. And we will all march to the loud and important drum of sustainability and a sense of social purpose. If there¡¯s anything good to have come out of this pandemic, it¡¯s a real understanding—across all societies and geographies—of the importance of those two things.

Âû½º F ¼Ò´õºñ »çÀÇ ÃÖ°í °æ¿µÀÚÀÎ ½ºÆ©¾îÆ®

"±× ÇØ´Â µðÁöÅРüÇèÀÌ ÀçâÁ¶µÈ ÇØ¿´½À´Ï´Ù. Àú¿¡°Ô 2021³âÀº À°Ã¼Àû °æÇèÀÇ ÀçâÁ¶ÀÇ ÇØ°¡ µÉ °ÍÀÔ´Ï´Ù. ¿ì¸®´Â »ö´Ù¸¥ À°Ã¼Àû °æÇè¿¡ ´ëÇÑ ÁøÁ¤ÇÑ ÇÁ¸®¹Ì¾öÀ» º¸°Ô µÉ °ÍÀÌ´Ù. ±×¸®°í ¿ì¸® ¸ðµÎ´Â Áö¼Ó °¡´É¼º°ú »çȸÀû ¸ñÀûÀǽÄÀÇ Å©°í Áß¿äÇÑ ºÏ¼Ò¸®·Î ÇàÁøÇÏ°Ô µÉ °ÍÀÔ´Ï´Ù. ¸¸¾à ÀÌ À¯ÇິÀ¸·ÎºÎÅÍ ÁÁÀº °á°ú°¡ ³ª¿Â´Ù¸é, ±×°ÍÀº ¸ðµç »çȸ¿Í Áö¿ª¿¡ °ÉÃÄ ÀÌ µÎ °¡ÁöÀÇ Á߿伺¿¡ ´ëÇÑ ÁøÁ¤ÇÑ ÀÌÇØÀÔ´Ï´Ù.

Melanie Clore, co-founder of Clore Wyndham art advisory, London

On 2021: "Less is more—fewer fairs, fewer auctions, more one-to-one, less Zoom and more face-to-face, understanding the long-term benefits of trust, knowledge, integrity and relationships."

·±´ø Clore Wyndham ¾ÆÆ® ¾îµå¹ÙÀÌÀúÀÇ °øµ¿ ¼³¸³ÀÚÀÎ Melanie Clore

2021³â: "´õ ÀûÀº ¼öÀÇ ¾ÆÆ®Æä¾î, ´õ ÀûÀº °æ¸Å, ´õ ¸¹Àº ÀÏ´ëÀÏ, ´õ ÀûÀº Zoom, ´õ ÀûÀº Á÷Á¢ ´ë¸é, ½Å·Ú, Áö½Ä, ¹«°á¼º ¹× °ü°èÀÇ Àå±âÀûÀÎ ÀÌÁ¡À» ÀÌÇØÇÏ´Â °ÍÀÌ ´õ Áß¿äÇÕ´Ï´Ù

Maureen Bray, executive director of the Art Dealers Association of America (ADAA)

"2020 gave us further proof that gallerists, like all small business owners, endured by being responsive and resilient. Online sales moved from being hypothetical and experimental to a very real strategy that galleries have embraced. That said, online sales are never going to take over the industry completely. The past few years have presented many legislative and policy challenges for gallerists in the US, and there¡¯s no reason to think that won¡¯t continue¡¦I¡¯m not making predictions yet. If 2020 has taught us anything, it is

¹Ì±¹ ¹Ì¼úÇ° µô·¯ Çùȸ(ADAA)ÀÇ ¸ð¸° ºê·¹ÀÌ Àü¹«ÀÌ»ç

"¸ðµç ¼Ò±â¾÷ ¼ÒÀ¯ÁÖµé°ú ¸¶Âù°¡Áö·Î °¶·¯¸®µéµµ ´ëÀÀ·Â°ú ź·Â¼ºÀ» À¯ÁöÇÏ¸ç °ßµò´Ù´Â Áõ°Å¸¦ Ãß°¡·Î Á¦½ÃÇß½À´Ï´Ù. ¿Â¶óÀÎ ÆǸŴ °¡»óÀûÀÌ°í ½ÇÇèÀûÀÎ °Í¿¡¼­ °¶·¯¸®µéÀÌ ¼ö¿ëÇØ ¿Â ¸Å¿ì Çö½ÇÀûÀÎ Àü·«À¸·Î ¿Å°Ü°¬´Ù. ±×·¸´Ù°í ¿Â¶óÀÎ ÆǸŰ¡ ¾÷°è¸¦ ¿ÏÀüÈ÷ Àå¾ÇÇÏÁö´Â ¸øÇÒ °ÍÀÌ´Ù. Áö³­ ¸î ³â µ¿¾È ¹Ì±¹ÀÇ °¶·¯¸®¿¡ ´ëÇØ ¸¹Àº ÀÔ¹ý ¹× Á¤Ã¥Àû °úÁ¦¸¦ Á¦½ÃÇØ ¿ÔÀ¸¸ç, ÀÌ ¹®Á¦°¡ Áö¼ÓµÇÁö ¾ÊÀ» °ÍÀ̶ó°í »ý°¢ÇÒ ÀÌÀ¯°¡ ¾ø½À´Ï´Ù. ³ª´Â ¾ÆÁ÷ ¿¹ÃøÇÏÁö ¸øÇÏ°í ÀÖ´Ù. 2020³âÀÌ ¿ì¸®¿¡°Ô ¹«¾ð°¡¸¦ °¡¸£ÃÄÁشٸé,...


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