+ IACO : International Art Cooperative Organization +

2024. 3. 29


   
    [¼­¾çÈ­] ÀÌ°æÈñ ¤Ó Lee, Kyung Hee 4019
Æ®·¢¹é ÁÖ¼Ò : http://artiaco.com/home/bbs/tb.php/mgallery/208 
Lee, Kyung Hee

B.F.A. in Department of Art Education, Sungshin Women's University

Selected Solo Exhibitions & Group Exhibitions
Solo Exhibitions/
18times of Solo-Exhibitions

Selected  Exhibitions
Scope Art Show New York 2020 USA
Scope Art Show Miami USA 2019
AAF Amsterdam, Nethelsland 2019
Art Nordic Fair, Denmark 2019
2019 GwangJu Art Fair, Kim, Dae Joong Convention Center
KAMA Art Show 2019 Hangaram Museum
2018 Int'l Artrooms Fair Seoul, Korea
KAMA Exhibition, Insa Art Center, Seoul
Korea international drawing grand festival (Sejong center)
Invitation of L.A. western gallery opening exhibition
Roses and propose of flowers present exhibition (gallery Gag)
Exhibition of Korea fine arts association (Seoul art center)
Exhibition of Busan fine arts festival (Busan cultural center)
Busan art festival exhibition (Busan cultural center)
Gyeongsang-Jeonra exchange exhibition (Busan city hall)
Malaysia Art Expo, KL ( Matrade Center)
Exhibition of Korea pastel artists association (Seoul art center)
Exhibition of Korea nude drawing tendency (gallery tablo)
Over 200 times participated in various exhibitions in Korea and abroad

Awards
2017 Grand Prize in Art for Women's leader
2006 Grand Prize in the 17th Korea Pastel Grand Contest-Exhibition,

Present
Korea fine arts association
Judges-Korea Rha, hye-suk grand contest-Korea Gyeonggi art contest

Her works derived from meditating thought in philosophical temperament regarding of Moon which is a lyrical discourse about her childhood in reminiscence. A certain point of implication, it is not only  discourse of mystrious object like a fairy tale but its structure of form and concept are let us feel somewhat nostalgia to anyone who ever experienced it past .In many efforts, her technic looks most fabulous way by using of linen mingle with acrylic and mixed media on canvas. By there is owesome part of transperent layer that showing up subtle texture. That is particulary reason why we long for getting touch once feel as if bird's feather on the surface of her work. It is extremely exquisite skill by hand touch that slowly turns out make us feel her asethetic view based on deep her mind.

In her discourse of works  by Alvin Lee

Her proposition, ¡®Memory of the Moon¡¯ - Thoughts on the Moon, Moon Jar, is not just a lyric, but rather a humanities and philosophical meaning. Often, we borrow a childlike pure dream-like concentric world for a while, but her moon has paradoxical implications that accompany the concept of thought as its own pictorial narrative. This is not a longing for the pure meaning of toward the unknown world thrown at the viewer, but a mass of her aesthetic consciousness and a fragment of thought. In particular, Linen, which she uses to produce her work, is a product of sweat and passion combined with labor through aging for a considerable amount of time by mixing glue with water, enhancing and making his work even greater. Observing in this process, it is not an act of drawing, but a unique act of contemplation that formatively harmonizes her consciousness with basic materials and emotional colors and feeling of tension its canvas. It seems to be a profound process that seems to sequentially pour the mature aesthetics inherent in her hands into the work from a cult form such as a kind of sacred ritual to nature. Each thread of hemp cloth naturally overlaps, clumps, and strangely condenses, dissolving the tension with physical properties through a series of phenomenal interactions. And as they are combined with the plane called canvas again, they are holding a feast of unconscious and simultaneous transcendental space. Her unique experimental ritual-like silence and quiet gaze are soon revealed in the shape of the circle and moon, and at the same time, the imaginary journey to the moon transcending time and space begins gradually, attracting many people¡¯s emotional views like an implied drama.

In the end, the narrative of the moon, the final destination of the formativeity she aims for, overwhelms the dense gaze of the people as a result of the work. The artist's hidden intention projects not only his senses but also the flow of consciousness into the work, and also, deep thoughts resulting from it penetrate the ultimate aesthetic's dual work trajectory. Looking at it from the perspective of cosmology, it is a methodology of consciousness that naturally attracts and attempts to empathize with the vision of the viewer into the mystery of the planet called the moon and the virtual reality of surreal imagination. Sometimes it is contained in the shape of a jar, and sometimes it is a three-dimensional circular organism that contains the aesthetic consciousness she sees. However, the concept of "difference" seems to be more necessary in terms of visual aspects with many artists who frequently borrowed only simple forms as a signature called a moon jar.
Jar4, Linen, Mixed media on canvas, 50x50cm
Eternal Love series 4_90.9x60.6_oil on canvas
Jar3, Linen, Mixed media on canvas and panal, 60x90cm
Jar1, Linen, Mixed media on canvas, 50x50cm
Jar2, Linen, Mixed media on canvas, 50x50cm
Moon Jar, Linen, Mixed media on canvas, 60x85cm