+ IACO : International Art Cooperative Organization +
2024. 11. 27
<H1 id=headline class=headline itemprop="headline"><FONT color=#cc33cc>Art Gallery Closures Grow </FONT></H1> <H1 class=headline itemprop="headline"><FONT color=#cc33cc>for Small and Midsize </FONT></H1> <H1 class=headline itemprop="headline"><FONT color=#cc33cc>Dealers <FONT size=4 face=돋움>소규모 갤러리들의 폐관</FONT></FONT></H1> <DIV id=story-meta-footer class=story-meta-footer><FIGURE id=media-100000005186169 class="media photo lede layout-large-horizontal" role=group itemprop="associatedMedia" itemscope itemtype="http://schema.org/ImageObject" itemid="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP2/26CLOSINGSJP2-master768.jpg" aria-label="media" data-media-action="modal"><SPAN class=visually-hidden>Photo</SPAN> </DIV> <DIV class=story-body-supplemental> <DIV class=image><IMG class=media-viewer-candidate alt="" src="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP2/26CLOSINGSJP2-master768.jpg" itemprop="url" itemid="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP2/26CLOSINGSJP2-master768.jpg" data-mediaviewer-src="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP2/26CLOSINGSJP2-superJumbo.jpg" data-mediaviewer-caption="The Lower East Side gallery On Stellar Rays." data-mediaviewer-credit="Kirsten Kilponen"> <META content=512 itemprop="height"> <META content=768 itemprop="width"></DIV> <DIV class="story-body story-body-1"><FIGCAPTION class=caption itemprop="caption description"><SPAN class=caption-text></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><STRONG><FONT color=#cc33cc size=4 face=Arial>메이져의 새로운 분점형 갤러리들의 개점</FONT></STRONG></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><STRONG><FONT size=3 face=Arial></FONT></STRONG></SPAN> </DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><STRONG><FONT color=#cc33cc size=5 face="Arial Black">Mega-galleries with multiple </FONT></STRONG></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><STRONG><FONT color=#cc33cc size=5 face="Arial Black"></FONT></STRONG></SPAN> </DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><FONT color=#cc33cc size=5 face="Arial Black"><STRONG>locations </STRONG><FONT face=Arial>such as </FONT><FONT face=굴림>Gagosian, David </FONT></FONT></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><FONT color=#cc33cc size=5 face="Arial Black"><FONT face=굴림></FONT></FONT></SPAN> </DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><FONT color=#cc33cc size=5 face="Arial Black"><FONT face=굴림>Zwirner and </FONT></FONT></SPAN><SPAN class=caption-text><FONT color=#cc33cc size=5 face="Arial Black"><FONT face=굴림>Hauser & Wirth etc.</FONT></FONT></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><STRONG><FONT color=#333333 size=4></FONT></STRONG></SPAN> </DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><STRONG><FONT size=3 face=Arial>“There is less support for the low end of the market,” said Rachel A. J. Pownall, who prepared </FONT></STRONG><A href="http://1uyxqn3lzdsa2ytyzj1asxmmmpt.wpengine.netdna-cdn.com/wp-content/uploads/2017/03/TEFAF-Art-Market-Report-20173.pdf"><STRONG><FONT size=3 face=Arial>the European Fine Art Fair’s 2017 Art Market Report</FONT></STRONG></A><STRONG><FONT size=3 face=Arial>. Dr. Pownall added that “the gap has become greater” between smaller galleries and large ones, which “are traditionally better positioned to reach a wider audience, sell at auction, present at art fairs and gain brand reputation.”</FONT></STRONG></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><FONT size=3 face=Arial>' <FONT color=#cc33cc size=2>미술시장 하락에 대한 지원을 삭감하고 있다고 리첼 A ,유로피안 파인아트 페어를 준비하는 조직위원이 말하고, DR,.포우넬은 소규모갤러리와 대형갤러리의 갭이 심화되고 있다. 전통적으로 많은 관람객유치와 옥션판매,아트페어에서 브랜드의 명성을 얻어 더나은 자리를 차지하고있기 떼문으로 분석하고 있다.' </FONT></FONT></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><FONT size=3 face=Arial><FONT color=#cc33cc size=2></FONT></FONT></SPAN> </DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><FONT size=2><FONT color=#cc33cc>West 24번가 27년의 첼시 베타랑 갤러리 관장이 폐관을 선언하였고 미국 뉴욕.LA 등에서</FONT> </FONT> <SPAN class=caption-text><FONT size=3 face=Arial><FONT color=#cc33cc size=2>최근 많은 소형 갤러리들이 폐관이 이어지고 있다. 이유는 주요 메이져 갤러리들의 분점형 갤러리가 확산되는 추세이기 때문이다.</FONT></FONT></SPAN></SPAN></DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text><SPAN class=caption-text><FONT color=#cc33cc size=2 face=Arial></FONT></SPAN></SPAN> </DIV> <DIV class="story-body story-body-1"><SPAN class=caption-text>The Lower East Side gallery On Stellar Rays.</SPAN> <SPAN class=credit itemprop="copyrightHolder"><SPAN class=visually-hidden>Credit</SPAN> Kirsten Kilponen </SPAN></FIGCAPTION></FIGURE></DIV> <P class="story-body-text story-content" data-para-count="209" data-total-count="209">The Lower East Side gallery On Stellar Rays announced in April 2016 that it was <A href="https://www.nytimes.com/2016/02/05/arts/design/on-stellar-rays-expands-its-lower-east-side-universe.html?_r=0">expanding</A> into 4,500 square feet, to allow for a more ambitious exhibition program as well as performances in its basement space. <P class="story-body-text story-content" data-para-count="80" data-total-count="289">This month, just over one year later, the gallery announced that it was closing.</DIV></DIV> <DIV></DIV> <P class="story-body-text story-content" data-para-count="404" data-total-count="693">On Stellar Rays has plenty of company. In February, Andrea Rosen, a 27-year Chelsea veteran gallery owner, announced that she was closing her exhibition space on West 24th Street and not taking on more living clients. Other stalwarts of the New York art scene that recently closed locations include Mike Weiss Gallery, CRG Gallery, Laurel Gitlen Gallery, Murray Guy, Kansas, Feuer/Mesler and Lisa Cooley. <DIV></DIV> <P class="story-body-text story-content" data-para-count="277" data-total-count="970">In Los Angeles, the dealer Mark Moore closed his Culver City gallery in December after 33 years, and this month Acme gallery in Frogtown ceased operating after more than two decades. And in London, several galleries have recently shuttered, including Limoncello and Vilma Gold. <DIV></DIV> <P class="story-body-text story-content" data-para-count="326" data-total-count="1296">Midsize galleries have long struggled to compete in a field increasingly dominated by mega-galleries with multiple locations, like Gagosian, David Zwirner and Hauser & Wirth. But lately the trend toward an intensely commercial and competitive art market has resulted in a critical mass of galleries folding, moving or merging. <DIV></DIV><A class="visually-hidden skip-to-text-link" href="https://www.nytimes.com/2017/06/25/arts/design/art-gallery-closures-grow-for-small-and-midsize-dealers.html#story-continues-1">Continue reading the main story</A> <DIV></DIV><!-- close story-body --> <DIV id=supplemental-1 class="supplemental first"></DIV><!-- close supplemental --> <DIV></DIV><!-- close story-body-supplemental --> <DIV id=story-continues-1 class=story-interrupter> <DIV id=FlexAd class="ad flex-ad nocontent robots-nocontent"> <DIV class="accessibility-ad-header visually-hidden"> <DIV>Advertisement</DIV></DIV><A class="visually-hidden skip-to-text-link" href="https://www.nytimes.com/2017/06/25/arts/design/art-gallery-closures-grow-for-small-and-midsize-dealers.html#story-continues-2">Continue reading the main story</A> <DIV class=flex-ad-creative></DIV></DIV></DIV> <DIV class=story-body-supplemental> <DIV class="story-body story-body-2"> <P id=story-continues-2 class="story-body-text story-content" data-para-count="437" data-total-count="1733">Some see the solidifying of a class society. “There is less support for the low end of the market,” said Rachel A. J. Pownall, who prepared <A href="http://1uyxqn3lzdsa2ytyzj1asxmmmpt.wpengine.netdna-cdn.com/wp-content/uploads/2017/03/TEFAF-Art-Market-Report-20173.pdf">the European Fine Art Fair’s 2017 Art Market Report</A>. Dr. Pownall added that “the gap has become greater” between smaller galleries and large ones, which “are traditionally better positioned to reach a wider audience, sell at auction, present at art fairs and gain brand reputation.”</DIV></DIV></DIV> <DIV id=story-ad-1 class="story-ad ad ad-placeholder nocontent robots-nocontent "> <DIV class="accessibility-ad-header visually-hidden"> <DIV>Advertisement</DIV></DIV><A class="visually-hidden skip-to-text-link" href="https://www.nytimes.com/2017/06/25/arts/design/art-gallery-closures-grow-for-small-and-midsize-dealers.html#story-continues-3">Continue reading the main story</A> </DIV> <P id=story-continues-3 class="story-body-text story-content" data-para-count="289" data-total-count="2022">What is widening the divide? High-priced real estate in gallery neighborhoods like Chelsea, and the proliferation of expensive art fairs, where collectors now do most of their browsing and buying. Participating in an art fair these days can cost a gallery hundreds of thousands of dollars. <DIV></DIV> <DIV></DIV> <P class="story-body-text story-content" data-para-count="361" data-total-count="2383">And rather than visiting individual galleries — and perhaps discovering new talent — collectors are focusing on market-tested trophy works carried by major dealers; are sometimes buying from Instagram or other online images without seeing the work in person; and are less willing to gamble on the emerging artists represented by small and midsize galleries. <DIV></DIV> <P class="story-body-text story-content" data-para-count="278" data-total-count="2661">The statistics bear this out. According to the art economist Clare McAndrew’s <A href="https://d33ipftjqrd91.cloudfront.net/asset/cms/Art_Basel_and_UBS_The_Art_Market_2017.pdf">Art Basel-UBS art market report</A>, dealers with business of less than $500,000 saw their sales decline by 7 percent in 2016; dealers with business of $500,000 to $1 million had a decline of 5 percent. <DIV></DIV> <P class="story-body-text story-content" data-para-count="248" data-total-count="2909">By contrast, those with business of $1 million to $10 million saw sales rise by 7 percent; galleries with sales of $10 million or more grew by 2 percent; and dealers with business above $50 million saw their sales increase by a whopping 19 percent. <DIV></DIV> <P class="story-body-text story-content" data-para-count="300" data-total-count="3209">But galleries are not only bowing out for economic reasons. “I really feel like I’m not doing some of the things I love most — it’s just a very different business at this level,” said Candice Madey, the owner of On Stellar Rays. “I’ve missed more of the spontaneity and the openness.” <DIV></DIV><FIGURE id=media-100000005186101 class="media photo embedded layout-large-horizontal media-100000005186101 ratio-tall" role=group itemprop="associatedMedia" itemscope itemtype="http://schema.org/ImageObject" itemid="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP1/26CLOSINGSJP1-master675.jpg" aria-label="media" data-media-action="modal"><SPAN class=visually-hidden>Photo</SPAN> <DIV class=image><IMG class=media-viewer-candidate alt="" src="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP1/26CLOSINGSJP1-master675.jpg" itemprop="url" itemid="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP1/26CLOSINGSJP1-master675.jpg" data-mediaviewer-src="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP1/26CLOSINGSJP1-superJumbo.jpg" data-mediaviewer-caption="Candice Madey, owner of On Stellar Rays, at the gallery." data-mediaviewer-credit="Nathan Freeman"> <META content=506 itemprop="height"> <META content=675 itemprop="width"></DIV><FIGCAPTION class=caption itemprop="caption description"><SPAN class=caption-text>Candice Madey, owner of On Stellar Rays, at the gallery.</SPAN> <SPAN class=credit itemprop="copyrightHolder"><SPAN class=visually-hidden>Credit</SPAN> Nathan Freeman </SPAN></FIGCAPTION></FIGURE> <P class="story-body-text story-content" data-para-count="309" data-total-count="3518">Ms. Madey said she was also worn down by the “relentless” cycle of five-week exhibitions, which does not allow time “to work closely with the artists.” Instead, she has found interactions are rushed and utilitarian, given their focus on “What are we doing for this art fair or for your next show?” <DIV></DIV><FIGURE id=media-100000005186103 class="media photo embedded layout-large-horizontal media-100000005186103 ratio-tall" role=group itemprop="associatedMedia" itemscope itemtype="http://schema.org/ImageObject" itemid="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP3/26CLOSINGSJP3-master675.jpg" aria-label="media" data-media-action="modal"><SPAN class=visually-hidden>Photo</SPAN> <DIV class=image><IMG class=media-viewer-candidate alt="" src="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP3/26CLOSINGSJP3-master675.jpg" itemprop="url" itemid="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP3/26CLOSINGSJP3-master675.jpg" data-mediaviewer-src="https://static01.nyt.com/images/2017/06/26/arts/26CLOSINGSJP3/26CLOSINGSJP3-superJumbo.jpg" data-mediaviewer-caption="Works by Corin Hewitt at the Laurel Gitlen Gallery on Norfolk Street." data-mediaviewer-credit="Suzanne DeChillo/The New York Times"> <META content=450 itemprop="height"> <META content=675 itemprop="width"></DIV><FIGCAPTION class=caption itemprop="caption description"><SPAN class=caption-text>Works by Corin Hewitt at the Laurel Gitlen Gallery on Norfolk Street.</SPAN> <SPAN class=credit itemprop="copyrightHolder"><SPAN class=visually-hidden>Credit</SPAN> Suzanne DeChillo/The New York Times </SPAN></FIGCAPTION></FIGURE> <P class="story-body-text story-content" data-para-count="282" data-total-count="3800">To sustain a larger operation, Ms. Madey had to lean on her loyal collectors, which felt uncomfortable. “It strains the relationship when you’re constantly trying to sell to them,” she said. “Every day there’s pressure, with no end in sight to feed this bigger machine.” <DIV></DIV> <P class="story-body-text story-content" data-para-count="523" data-total-count="4323">CRG Gallery, which has operated for 25 years — most recently on the Lower East Side — closed at the end of the May. “There’s been a shift: the acceptance of art as liquid assets,” said Glenn McMillan, who founded the gallery with Carla Chammas and Richard Desroche. “It’s moved toward a much more consolidated equity investment vehicle, it has truly become an international business, it’s bringing to the art market an incredible volume of money, and it puts pressure on mom-and-pop operations like ours.” <DIV></DIV> <DIV id=story-ad-2 class="story-ad ad ad-placeholder nocontent robots-nocontent "> <DIV class="accessibility-ad-header visually-hidden"> <DIV>Advertisement</DIV></DIV><A class="visually-hidden skip-to-text-link" href="https://www.nytimes.com/2017/06/25/arts/design/art-gallery-closures-grow-for-small-and-midsize-dealers.html#story-continues-4">Continue reading the main story</A> </DIV> <P id=story-continues-4 class="story-body-text story-content" data-para-count="298" data-total-count="4621">Mr. McMillan said part of the problem is traffic; whereas Saturdays used to be the day when visitors poured into galleries, now crowds on that and other days have noticeably thinned, a decline he attributes to art buying through social media as well as the fatigue of “an art fair every month.” <DIV></DIV> <DIV id=newsletter-promo class="newsletter-signup hidden auto-newsletter" 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Please re-enter. <DIV></DIV> <DIV></DIV> <P class="error buffet-error hidden">You must select a newsletter to subscribe to. <DIV></DIV> <DIV></DIV> <DIV class=field-container><INPUT id=email class=email-input aria-required=true name=email type=email placeholder="Enter your email address"><BUTTON id=submit-button class="button submit-button" type=submit>Sign Up</BUTTON> </DIV> <DIV></DIV><!-- close control --> <DIV class="control checkbox-control"> <DIV class=field-container><INPUT id=special-offers class=checkbox name=special-offers value=MM type=checkbox> </DIV> <DIV class=label-container><LABEL class=checkboxLabel for=special-offers>You agree to receive occasional updates and special offers for The New York Times's products and services.</LABEL> </DIV></DIV><!-- close control --> <DIV id=captcha-container class=g-recaptcha data-sitekey="6LeN0R4TAAAAACwPa5WX2QYE0npOf2-2veTOm2Tp"></DIV></FORM> <DIV class=messages> <H3 class="success-message hidden">Thank you for subscribing.</H3> <H3 class="error submit-error hidden">An error has occurred. Please try again later.</H3> <H3 class="subscriber hidden">You are already subscribed to this email.</H3> <P class="view-all-link hidden"><A href="https://www.nytimes.com/newsletters" target=_blank>View all New York Times newsletters.</A></DIV></DIV> <DIV></DIV> <DIV></DIV><!-- close messages --> <UL class=footer> <LI id=sample-newsletter-link class=sample><A href="" target=_blank>See Sample</A> <LI class=manage-email><A href="https://www.nytimes.com/mem/email.html" target=_blank>Manage Email Preferences</A> </LI> <LI class="logout hidden"><A href="https://www.nytimes.com/logout" target=_blank>Not you?</A> <LI class=privacy><A href="https://www.nytimes.com/privacy" target=_blank>Privacy Policy</A> <LI class=contact> <DIV>Opt out or <A href="https://www.nytimes.com/help/index.html" target=_blank>contact us</A> anytime</DIV></LI></UL><!-- close footer --> <DIV></DIV> <DIV id=#continues-post-newsletter></DIV> <P class="story-body-text story-content" data-para-count="294" data-total-count="4915">“People are not coming to galleries,” he said. “It’s been a simultaneous perfect storm of the convenience and plethora of the art fairs and the Instagram mentality of seeing something and immediately having a yes or no response to something — it’s not the world we signed up for.” <DIV></DIV> <P class="story-body-text story-content" data-para-count="400" data-total-count="5315">What they did sign up for, many dealers say, is working closely with artists, carefully managing their careers and making sure that their work made its way into major institutions. Some question how large galleries with multiple locations can offer that kind of personal attention. “I ask myself, ‘How well do they know their artists?’” said Ms. Chammas of CRG. “Artists need nourishing.” <DIV></DIV> <P class="story-body-text story-content" data-para-count="242" data-total-count="5557">Stefania Bortolami, who moved her gallery to TriBeCa from Chelsea in May, wanted to reinvent it out of the shadow of the larger players. “Gagosian is Nestlé and I’m the organic farm-to-table grocer, and I’m fine with that,” she said. <DIV></DIV> <P class="story-body-text story-content" data-para-count="274" data-total-count="5831">When Ms. Cooley decided to close her gallery last year, she <A href="http://www.artnews.com/2016/08/29/it-was-like-someone-turned-the-faucet-off-lisa-cooley-on-closing-her-gallery/">told</A> ARTnews the drop in her sales “was like someone turned the faucet off” and that running a gallery the size of hers “is not a sustainable business right now.” (She recently joined Paula Cooper Gallery.) <DIV></DIV> <P class="story-body-text story-content" data-para-count="311" data-total-count="6142">Indeed, these dealers are not necessarily getting out of the art business altogether. Ms. Madey, for example, is beginning Stellar Projects, which will consult on collections and continue working with artists on projects. On Stellar Rays’s upstairs space at 1 Rivington Street will remain open by appointment. <DIV></DIV> <P class="story-body-text story-content" data-para-count="237" data-total-count="6379">Similarly, while Ms. Rosen rocked the art world with an email in February announcing that she would no longer “have a typical permanent public space,” she also said that she planned “to stay connected” with her stable of artists. <DIV></DIV> <P class="story-body-text story-content" data-para-count="203" data-total-count="6582">“I am excited about the future, where things that are important are not necessarily so tied into a monetary system,” Ms. Rosen said in a recent interview. “I’m very interested in other models.” <DIV></DIV> <P class="story-body-text story-content" data-para-count="264" data-total-count="6846">Joel Mesler and Zach Feuer tried merging as Feuer/Mesler in 2015, but in January announced that, too, would close. Mr. Mesler, an artist as well as a dealer, has left New York City altogether, opening his own exhibition space, Rental Gallery, in East Hampton, N.Y. <DIV></DIV> <P class="story-body-text story-content" data-para-count="235" data-total-count="7081">Some argue that it has always been thus; as prices for art have continued to climb, weaker galleries have fallen away. And that even though many galleries are closing, there are still more over all now than there have been in the past. <DIV></DIV> <DIV id=story-ad-3 class="story-ad ad ad-placeholder nocontent robots-nocontent "> <DIV class="accessibility-ad-header visually-hidden"> <DIV>Advertisement</DIV></DIV><A class="visually-hidden skip-to-text-link" href="https://www.nytimes.com/2017/06/25/arts/design/art-gallery-closures-grow-for-small-and-midsize-dealers.html#story-continues-5">Continue reading the main story</A> </DIV> <P id=story-continues-5 class="story-body-text story-content" data-para-count="297" data-total-count="7378">But for the gallerists closing their doors, the decision marks the end of an era. “It was not an easy decision — we’ve been in business 25 years, and the three of us have worked with galleries for a very long time,” Ms. Chammas of CRG said. “The economics just don’t add up anymore.” <DIV></DIV> <DIV id=addenda class=addenda> <DIV class="story-addendum story-content theme-correction"><STRONG>Correction: June 27, 2017 </STRONG><BR> <DIV>An article on Monday about a number of art galleries that are closing erroneously included one New York gallery. While Team Gallery did recently shutter a location on Wooster Street, its main gallery on Grand Street — and its business — remain open. In addition, an accompanying picture of the Wooster Street gallery should not have been used to represent gallery businesses that are shutting down.</DIV></DIV></DIV><FOOTER class="story-footer story-content"> <DIV class=story-meta> <P class=story-print-citation>A version of this article appears in print on June 26, 2017, on Page C1 of the <SPAN itemprop="printEdition">New York edition</SPAN> with the headline: Smaller Galleries Faltering In Market.</DIV></DIV> <DIV></DIV> <P class=story-print-citation> <DIV></DIV> <P class=story-print-citation>출처: 뉴욕타임즈 <DIV></DIV> <DIV></DIV><!-- close story-meta --></FOOTER> <DIV></DIV> <DIV></DIV></MAIN><!-- close main --><SECTION id=site-index class=site-index><HEADER class=section-header>
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