Each of the pieces in Untitled (Can Sculpture) begins with a soda can with a photocopy of a young man¡¯s face pasted over the label. The image is taken from a 70s naturist magazine and was chosen because the boy¡¯s strong classical features exemplify archetypical ideals of beauty and youth. In this work, a red light bulb is embedded inside a torn can to denote sexual attraction, its seedy glow visible through the peep hole opening of another. Desire and fixation are amplified through a small magnifying lens which focuses on the bulb¡¯s phallic screw-grooved base.
ĵ Á¶°¢À̶õ ŸÀÌƲÀÇ ÀÏ·ÃÀÇ ÀÛÇ°µéÀº ÀþÀºÀÌÀÇ ¾ó±¼¿¡ ¶óº§·Î Ç®¹ÝÁ×ÇÑ »çÁøº¹»ç¿Í ¼Ò´ÙĵÀ¸·Î ½ÃÀ۵ȴÙ. ÀÌ À̹ÌÁö´Â 70³â´ë ÀÚ¿¬ÁÖÀÇ ÀâÁö¸¦ Â÷¿ëÇÏ¿© ¼±Åà Çß´Ù, ¿Ö³ÄÇÏ¸é ¼Ò³âÀÇ °ÇÑ °íÀüÀûÀÎ ¸ð½ÀÀÌ ÀþÀ½°ú ¾Æ¸§´Ù¿òÀ» ¿¹½ÃÇÏ´Â ¿øÇüÀÇ ÀÌ»óÀ» º¸¿©Áֱ⠶§¹®ÀÌ´Ù. ÀÌ ÀÛÇ°¿¡¼ »¡°£Àü±¸¸¦ Âõ¾îÁø ĵ ¾ÈÀ¸·Î ³¢¿ö³õ´Â °ÍÀÌ ÀÏÁ¾ÀÇ ¼ºÀû ¸Å·ÂÀ» ³ªÅ¸³»´Â°ÍÀÌ´Ù. ±× ºÒÄèÇÔÀÇ ï¼ãÊ´Â ´Ù¸¥ µé¿©´Ùº¸±â¸¦ ÅëÇØ ½Ã°¢ÀûÀ¸·Î ´Þ¾Æ¿À¸¥´Ù. ¿å¸Á°ú ÁýÂøÀº Àü±¸ÀÇ ¼ý³ª»ç¿¡(ÆÄÀÎ Æ´) ÃÊÁ¡À» ¸¶Ãç ÀÛÀº È®´ë°æÀ» ÅëÇØ È®´ëµÈ´Ù. Robert Raucshenberg¡¯s work and biography is often discussed as a contextual precedent for Paul Lee¡¯s sculptures. Raucshenberg¡¯s ¡®combines¡¯ were assemblages of objects and paintings that pioneered cross-media and pop art, and his personal relationship with Jasper Johns is a well cited reference point in queer history. Using everyday objects such as soda cans, light bulbs, and socks, Lee¡¯s Untitled (Can Sculpture) series explores the relationships between materials and their coded cultural and sexual meanings. Robert Raucshenberg ÀÇ ÀÛÇ°°ú Àü±â´Â Paul Lee¡¯s Á¶°¢À» À§ÇØ ¹®¸Æ»óÀÇ ¼±·Ê·Î¼ ÀÚÁÖ ³íÀǵȴÙ. Raucshenberg¡¯s ¡®combines¡¯ À̶õ - ¹Ìµð¾î¿Í ÆË ¾ÆÆ®¸¦ °³Ã´Çß´ø ¶ó¿ìÁ¨¹ö±×ÀÇ ±×¸²°ú ¿ÀºêÁ¦ÀÇ Â÷¿ëÀÌ´Ù ±×¸®°í Jasper Johns¿ÍÀÇ ±×ÀÇ °³ÀÎÀÇ °ü°è´Â ¹¦ÇÑ ¿ª»çÀÇ °üÁ¡¿¡¼ Àß ÀοëµÇ¾ú´Ù. ¼Ò´Ù ÅëÁ¶¸², Àü±¸ ±×¸®°í ¾ç¸» µî°ú °°Àº ÀÏ»óÀûÀÎ ¹°°ÇÀ» »ç¿ëÇÏ´Â ½Ã¸®Áî´Â Paul Lee°¡ ºÎÈ£ÈµÈ ¹®È¿Í ¼ºÀû ÀÇ¹Ì¿Í ¹°Áú¼º °ü°è¸¦ ŽÇèÇÑ´Ù...
Robert Raucshenberg¡¯s work and biography is often discussed as a contextual precedent for Paul Lee¡¯s sculptures. Raucshenberg¡¯s ¡®combines¡¯ were assemblages of objects and paintings that pioneered cross-media and pop art, and his personal relationship with Jasper Johns is a well cited reference point in queer history. Using everyday objects such as soda cans, light bulbs, and socks, Lee¡¯s Untitled (Can Sculpture) series explores the relationships between materials and their coded cultural and sexual meanings.
Robert Raucshenberg ÀÇ ÀÛÇ°°ú Àü±â´Â Paul Lee¡¯s Á¶°¢À» À§ÇØ ¹®¸Æ»óÀÇ ¼±·Ê·Î¼ ÀÚÁÖ ³íÀǵȴÙ. Raucshenberg¡¯s ¡®combines¡¯ À̶õ - ¹Ìµð¾î¿Í ÆË ¾ÆÆ®¸¦ °³Ã´Çß´ø ¶ó¿ìÁ¨¹ö±×ÀÇ ±×¸²°ú ¿ÀºêÁ¦ÀÇ Â÷¿ëÀÌ´Ù ±×¸®°í Jasper Johns¿ÍÀÇ ±×ÀÇ °³ÀÎÀÇ °ü°è´Â ¹¦ÇÑ ¿ª»çÀÇ °üÁ¡¿¡¼ Àß ÀοëµÇ¾ú´Ù. ¼Ò´Ù ÅëÁ¶¸², Àü±¸ ±×¸®°í ¾ç¸» µî°ú °°Àº ÀÏ»óÀûÀÎ ¹°°ÇÀ» »ç¿ëÇÏ´Â ½Ã¸®Áî´Â Paul Lee°¡ ºÎÈ£ÈµÈ ¹®È¿Í ¼ºÀû ÀÇ¹Ì¿Í ¹°Áú¼º °ü°è¸¦ ŽÇèÇÑ´Ù...