Needless to say, there is the reason why the
Korean contemporary art ,by all means should penetrate into the heart
of American art market, that is a crucial point considered as a sort
of 'the rite of passage', which is likely a cardinal law, so
that a way of essential sphere, it is the way that Korean galleries in
order to attain their identy in relating to art markets on the global
stage, that is, it is to say about an expansion of Korean art territory
on globe
The New York is an enormously mega city, is a
home as the gate-way from the world trading of utmost
quantity in goods transportations, as well as tourist's
attractions, someone who say that " the New York is a place where
being of avaricious desires and dreams both are seen as accumulating
horizontal escarpment," which means is that an implicit
rhetoric about the history condensed by co-existing cultures and contemporary
and modern art, has made very quickly in human history through over a
couple of hundred year, which is not only the center of art market on
earth, but the core of capital on economic sphere in where a buzz by
swarming of the people, of course, has a brilliant art cluster, such
as Guggenheim, MoMa, Whitney, Cosmopolitan Museum where are flocking a lot
of tourists across the world. Further more, since early 2,000's, mostly major
art fairs rapidly has diffused into USA, Art New York, Amory Show, Freize New
York, etc. where has been featured by drawing attention to notable
booming from world class galleries, so they are intensely intriguing of
participating in there.
Frankly speaking, we must know the fact
that Art New York & Context are the sister Fair of Art Miami at
its core of market, which is likely a vast enterprise that has accompanied
by 7-8 escort warships, that is, by having 7-8 satellite fairs, as if a
nucleus big ship with an impregnable fortress by encompassing
huge capital, whose authority based on the vast fund by boasting its dignity. Therefore,
that is not only being a dealing space where seemingly presents
the global collectors, audience and millionaires along with rest and
joyful, but offers a great place as good opportunity with exuberant
pieces whenever they can able to purchase it, sought after if
they want to enjoy the elegant art and culture by joining a sociable
encounter.
A being of potentiality as particular venue
where a great number of both mid-sized and small galleries by there for
marketing, hence, they rush to go after the property by flocking to the money,
simultaneously in order to make their brand in profitable for advertising by
there, and may have craving for something jackpot from those. Unfortunately
according to the up-dated information, no participating Asian galleries except
quite a few in Art Miami, caused by somewhat picky procedural problems, it is
probably yet exists some of solid barrier to pass on, in fact, namely
prestigious galleries from across the world that able to join merely by the
name of representative of their nations, as well as there probably a kind of
block when they are processing to apply its fastidious principle of passage. Likewise,
all the procedures are difficult to participate for humble and small galleries,
but it must be conspicuous looked by organizer's eyes on their art pieces
first. I guess that means to take an opportunity of qualification like as a
ticket to enter the main event of Art Miami, I think it still seems to remain
more or less suspicious thoughts of alternative discrimination rather than a
justice, which looks like mainly their own league for themselves to rejoice.
However, despite a sense of
alienation upon this kind of sore conditions, one hand, I think that
Korean galleries certainly should be united the main stream, by
experiencing advanced art market's strategy with skills and policy, on the
other hand, obviously further should observe carefully the global markets
trend with more exquisite skills and creative thoughts and brilliant
empathy, aspirations, etc. for all compassion among which certainly
they have to carry out the role as an art agency that will possible
to support for the artists activities, or have to set up the
distinctive nurturing system to be sustained on the global
stage. Recently Korean galleries are immensely challenging rush to
the attending in these international art fairs. However, in order to
be succeeded at the art fairs, the crucial points are remains that both
they absolutely must execute responsible for the selection
more meticulous way throughout the artworks or artists, especially
taking into account the artistic value its supreme quality, and need discover
more cutting edge of works by looking out the emerging,
potential, enthusiastic artists for the critical success and
acclaims about their pieces, so that art works could be
sold easily on the global markets in spite of highly competitive.
Thus, gallerists, and persons who related to
all the scene in art business, playing a role of providers collectively in
work of delivering of art works as well, who either have to commit acts in
accordance with specializing of global art markets, or have to invent a fabulous
strategic method for artist's nurturing, even in terms of archiving system
to reinforce them too, and other matter of working to
gain their each brand reputations frequently,
by exposing them to the international market suits for global
level which are quite important factors. If they were neglected
these dutiful managements with endless efforts in improving of the global
scheme, shortly they would not only be fail for sale purpose, but
also they face in frustrating circumstance, and eventually they might
lost all the vibrant activities in art scene.
Because which are formidable matters. Therefore, there is no way
to access to the advanced global stage forever, except for the thoughts by
giving up the way of anachronistic. As straightforward speaking, it
is a place that the supreme destination, Art Miami, after all where we
have to go through as a rite of passage. If the Korean galleries and artworks
were rejected by the global level in primarily contemporary art
scene, that will be a disgraceful matter.
Additionally, however, my expectation is still
optimistic in such matters, if they may have a necessarily creed
to breakthrough all the obstacles, both artists and gallerists with their
intensive spirit, beliefs. Finally they would make it their aim what may
happen to forward. Meanwhile, artists who importantly should follow two
tracks, even if, in case of like an ambiguous labyrinth, even an unpredictable
case, absolutely they'd rather take a
commercial way for living, commit to invent the works suited for
audience who recently prefers more adventurous pieces to normal
one, at the same time, conversely, who should have an
extreme aesthetic view in their artworks, beyond a
worthy one for the sake of art, because it shall be
compensated for the efforts to profits, enable to propel the
activities again.
As a philosopher- Dilles Deleuze said '
philosophy is a game of experimental thoughts' like this, art is a visual
expression based on discourse of philosophy, aesthetics, psychology, mythology
etc. Accordingly artists who always has to create the pieces by
enthusiastic spirit derived from those factors as if doing explore a new arena
where one never ever been. So consequently, both artists
and gallerists must eventually become the goal with a
macroscopic plan which sustains for survival at art markets, the
one is that they should focus further on consideration of looking for an
extraordinary way how to come up with solutions, and the other rigid
one is that a sublime of worthy what they continually
pursue an experimental, innovative conceit beyond the diverse dimensional
method, by having a smart sane associated with philosophical and
metaphysic thoughts on making their works to cross the crevasse and soar toward
the artists destination.