Needless to say, there is the reason why the Korean contemporary art ,by all means should penetrate into the heart of American art market, that is a crucial point considered as a sort of 'the rite of passage', which is likely a cardinal law, so that a way of essential sphere, it is the way that Korean galleries in order to attain their identy in relating to art markets on the global stage, that is, it is to say about an expansion of Korean art territory on globe

The New York is an enormously mega city, is a home as the gate-way from the world trading of utmost quantity in goods transportations, as well as tourist's attractions, someone who say that " the New York is a place where being of avaricious desires and dreams both are seen as accumulating horizontal escarpment," which means is that an implicit rhetoric about the history condensed by co-existing cultures and contemporary and modern art, has made very quickly in human history through over a couple of hundred year, which is not only the center of art market on earth, but the core of capital on economic sphere in where a buzz by swarming of the people, of course, has a brilliant art cluster, such as Guggenheim, MoMa, Whitney, Cosmopolitan Museum where are flocking a lot of tourists across the world. Further more, since early 2,000's, mostly major art fairs rapidly has diffused into USA, Art New York, Amory Show, Freize New York, etc. where has been featured by drawing  attention to notable booming from world class galleries, so they are intensely intriguing of participating in there.

Frankly speaking, we must know the fact that Art New York & Context are the sister Fair of Art Miami at its core of market, which is likely a vast enterprise that has accompanied by 7-8 escort warships, that is, by having 7-8 satellite fairs, as if a nucleus big ship with an impregnable fortress by encompassing huge capital, whose authority based on the vast fund by boasting its dignity. Therefore, that is not only being a dealing space where seemingly presents the global collectors, audience and millionaires along with rest and joyful, but offers a great place as good opportunity with exuberant pieces whenever they can able to purchase it, sought after if they want to enjoy the elegant art and culture by joining a sociable encounter.

A being of potentiality as particular venue where a great number of both mid-sized and small galleries by there for marketing, hence, they rush to go after the property by flocking to the money, simultaneously in order to make their brand in profitable for advertising by there, and may have craving for something jackpot from those. Unfortunately according to the up-dated information, no participating Asian galleries except quite a few in Art Miami, caused by somewhat picky procedural problems, it is probably yet exists some of solid barrier to pass on, in fact, namely prestigious galleries from across the world that able to join merely by the name of representative of their nations, as well as there probably a kind of block when they are processing to apply its fastidious principle of passage. Likewise, all the procedures are difficult to participate for humble and small galleries, but it must be conspicuous looked by organizer's eyes on their art pieces first. I guess that means to take an opportunity of qualification like as a ticket to enter the main event of Art Miami, I think it still seems to remain more or less suspicious thoughts of alternative discrimination rather than a justice, which looks like mainly their own league for themselves to rejoice.

However, despite a sense of alienation upon this kind of sore conditions, one hand, I think that Korean galleries certainly should be united the main stream, by experiencing advanced art market's strategy with skills and policy, on the other hand, obviously further should observe carefully the global markets trend with more exquisite skills and creative thoughts and brilliant empathy, aspirations, etc. for all compassion among which certainly they have to carry out the role as an art agency that will possible to support for the artists activities, or have to set up the distinctive nurturing system to be sustained on the global stage. Recently Korean galleries are immensely challenging rush to the attending in these international art fairs. However, in order to be succeeded at the art fairs, the crucial points are remains that both they absolutely must execute responsible for the selection more meticulous way throughout the artworks or artists, especially taking into account the artistic value its supreme quality, and need discover more cutting edge of works by looking out the emerging, potential, enthusiastic artists for the critical success and acclaims about their pieces, so that art works could be sold easily on the global markets in spite of highly competitive.

Thus, gallerists, and persons who related to all the scene in art business, playing a role of providers collectively in work of delivering of art works as well, who either have to commit acts in accordance with specializing of global art markets, or have to invent a fabulous strategic method for artist's nurturing, even in terms of archiving system to reinforce them too, and other matter of working to gain their each brand reputations frequently, by exposing them to the international market suits for global level which are quite important factors. If they were neglected these dutiful managements with endless efforts in improving of the global scheme, shortly they would not only be fail for sale purpose, but also they face in frustrating circumstance, and eventually they might lost all the vibrant activities in art scene. Because which are formidable matters. Therefore, there is no way to access to the advanced global stage forever, except for the thoughts by giving up the way of anachronistic. As straightforward speaking, it is a place that the supreme destination, Art Miami, after all where we have to go through as a rite of passage. If the Korean galleries and artworks were rejected by the global level in primarily contemporary art scene, that will be a disgraceful matter.

Additionally, however, my expectation is still optimistic in such matters, if they may have a necessarily creed to breakthrough all the obstacles, both artists and gallerists with their intensive spirit, beliefs. Finally they would make it their aim what may happen to forward. Meanwhile, artists who importantly should follow two tracks, even if, in case of like an ambiguous labyrinth, even an unpredictable case, absolutely they'd rather take a commercial way for living, commit to invent the works suited for audience who recently prefers more adventurous pieces to normal one, at the same time, conversely, who should have an extreme aesthetic view in their artworks, beyond a worthy one for the sake of art, because it shall be compensated for the efforts to profits, enable to propel the activities again.

As a philosopher- Dilles Deleuze said ' philosophy is a game of experimental thoughts' like this, art is a visual expression based on discourse of philosophy, aesthetics, psychology, mythology etc. Accordingly artists who always has to create the pieces by enthusiastic spirit derived from those factors as if doing explore a new arena where one never ever been. So consequently, both artists and gallerists must eventually become the goal with a macroscopic plan which sustains for survival at art markets, the one is that they should focus further on consideration of looking for an extraordinary way how to come up with solutions, and the other rigid one is that a sublime of worthy what they continually pursue an experimental, innovative conceit beyond the diverse dimensional method, by having a smart sane associated with philosophical and metaphysic thoughts on making their works to cross the crevasse and soar toward the artists destination.

Art Column- IACO, President ,Alvin Lee, Bung Lyol